Thursday, December 10, 2020

Poetry Thursday, de virgenes y iguanas

Nuestra Señora de las Iguanas
~Brenda Cárdenas

      (after Graciela Iturbide’s 1979 photograph)

My warm morning skin bristles
in the jungle hut’s frigid shower

as shrill chirps trill
off my inner ear’s high-hat.

What tropical bird lurks
outside this screen-less window?

I imagine lime green wings,
a feathered turquoise face,

but when its squeak rattles
into a hiss that creeps

behind me like a shadow, I turn
to stare straight into the onyx

eye of an iguana, iridescent
crown gleaming down

on my miserable wet head, tail
coiling the shower pole, tongue reach-

ing for my splashed shoulder.
I slink back, leave dirt in the bends

of elbows and knees, relinquish
a chance to feel eyes licked

into the back of my head. I am not
la Nuestra Señora de las Iguanas

donning her Zapotec headdress
of protruding limbs about to leap,

folded faces, triple chins. Not
Iturbide’s pebble squint refusing to blink

as it latches onto the queen of Juchitán
so far away, yet so near to where I stand

dripping on this poured concrete floor.

Copyright © 2020 by Brenda Cárdenas. Originally published in Poem-a-Day on October 7, 2020, by the Academy of American Poets.

Sunday, November 15, 2020

Not Poetry Thursday, For Chila

When I Am a Hummingbird
 ~Alan Michael Parker

I love two dogs, even when they’re killing
a baby possum near the columbines,
shaking the varmint
until the death squeal chokes to a gargle,

and both dogs stand before the bloody marsupial
nosing it to move,

because that’s Nature, right?
(And whom did I just ask whether that was right?)
(And what’s a moral quandary for a possum?)

I love the dog who leans,
matter-of-fact in her need,
and the big smile of the small Pit Bull.

But when I am a hummingbird, finally,
I will beat my wings
eighty times per second,

thousands of seconds
and eighty thousands and thousands

of my splendiferous beating wings,
faster than all of the eighty thousand
beautiful things in the world,

and no one will stop me or catch me
or take my picture, I will be too fast,

and I will dive into the meat
of the possum
and beat there,
the mean, bloody thing alive again.

Copyright © 2019 Alan Michael Parker. Used with permission of the author.

Wednesday, November 11, 2020

On War and Lives Lost for Veterans Day, Not Poetry Thursday

On Receiving the First News of the War
 ~Isaac Rosenberg

Snow is a strange white word;
No ice or frost
Has asked of bud or bird
For Winter’s cost.

Yet ice and frost and snow
From earth to sky
This Summer land doth know;
No man knows why.

In all men’s hearts it is:
Some spirit old
Hath turned with malign kiss
Our lives to mould.

Red fangs have torn His face,
God’s blood is shed:
He mourns from His lone place
His children dead.

O ancient crimson curse!
Corrode, consume;
Give back this universe
Its pristine bloom.
 
This poem is in the public domain.

Thursday, October 29, 2020

Poetry Thursday - for Tim and my mom and their promesa

When I Became La Promesa
~Peggy Robles–Alvarado

For every unexpected illness that required medical insurance,
every second-trimester miscarriage, every chaos unemployment
caused, every looming eviction, every arrest warrant gone
unanswered, the women in my family made promesas to plaster
cast statues worshipped in overcrowded apartments with rum
poured over linoleum, nine-day candles coughing black soot
until the wick surrendered, Florida water perfuming doorways
and the backs of necks.

Promesas: barters/contracts with a God they didn’t vow to
change for but always appeased/ bowls of fruit/ paper bags filled
with coconut candy and caserolas de ajiaco/ left at busy intersections,
an oak tree in High bridge park, the doorway of the 34th precinct,
and when mar pacifico and rompe saraguey refused to grow on
Washington Heights windowsills, the youngest became part of
the trade.

Unsullied and unaware: cousin Mari pissed about having to dress
in green and red for twenty-one days to keep Tío Pablo out of jail/
Luisito scratching at an anklet made of braided corn silk to help
Tía Lorna find a new job/ and my hair not to be cut until Papi’s
tumor was removed.

Gathered in tight buns or sectioned pigtails, falling long past my
waist when asymmetrical bobs were in fashion, unaware my crown
had the necessary coercion to dislodge a mass from a colon, I grabbed
my older brother’s clippers, ran thirsty blades across my right temple
to the back of my ear, massaged the softness that emerged as strands
surrendered on bathroom tiles. My desire to mimic freestyle icons,
whose albums my cousins and I scratched on old record players,
wagered against Papi’s large intestine.

My unsteady hand: a fist
in the face of God.

Copyright © 2020 by Peggy Robles–Alvarado. Originally published in Poem-a-Day on October 6, 2020, by the Academy of American Poets.

Tuesday, October 27, 2020

Not Poetry Thursday, Mary Oliver's Wild Geese - because we all need this reminder

Wild Geese
~Mary Oliver

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.


I have been moved to tears over the simplest things for the past few weeks - and it is mostly because I am carrying so much for myself and others right now. Not to say that they tears were not appropriate ... but I haven't been allowing myself to feel my own pain, so it spills out when I see that of others.

I do not have to be good or walk on my knees -- or hold in my pain. 

Neither do you.

Wishing you space to feel all the feelings in safety.

Thursday, October 22, 2020

Poetry Thursday, Self care and boundaries are hard...

Time-Lapse Video of Trans Woman Collapsing Inward Like a Dying Star
~Joshua Jennifer Espinoza

I beg for invisible fire.

Every night I pray to love,
please invent yourself.

I imagine a place after this place
and I laugh quietly to no one
as the hair on my chin
weeds through old makeup.

When I go to sleep
I am vinegar inside clouded glass.
The world comes to an end
when I wake up and wonder
who will be next to me.

Police sirens and coyote howls
blend together in morning’s net.
Once, I walked out past the cars
and stood on a natural rock formation
that seemed placed there to be stood on.
I felt something like kinship.
It was the first time.

Once, I believed god
was a blanket of energy
stretched out around
our most vulnerable
places,

when really,

she’s the sound
of a promise
breaking


Copyright © 2020 by Joshua Jennifer Espinoza. Originally published in Poem-a-Day on October 14, 2020, by the Academy of American Poets.

“Many of my poems involve figures who are desperately attempting to invent a means of survival under conditions that seem determined to prevent them from surviving. This poem is concerned with what happens when performing the daily magic of saving oneself becomes too tiring, so that the only remaining option is to scream out the pain, loneliness, and desperation, and allow the collapse to happen. This is a cry for help, one that enacts, through its own existence, proof of self-love and a desire to keep living, despite everything.”
—Joshua Jennifer Espinoza

Thursday, October 15, 2020

Poetry Thursday, Hispanic Heritage Month

Legend
~Helena Mesa

During the war, women hid messages
   inside white flowers
tucked in their hair. They crossed
   enemy lines, slipped the blossoms
into soldiers’ fists. What might
   have been a child’s crown
for her communion, an offering
   at a grave, might win the war.
The ovule, the style, the stigma—
   what seemed to unfurl overnight
took weeks, even years.
   Dream your hand plucks the bloom,
its widest petals like porcelain,
   and a halo of bees skims your arms.
Upon waking, walk to the docks,
   the bloom heavy behind your ear,
and breathe in its sweet persistence,
   its scent of sea salt and gutted fish.

Copyright © 2019 by Helena Mesa. Originally published in Poem-a-Day on December 9, 2019, by the Academy of American Poets.

Friday, October 09, 2020

We need more poetry - and I have been AWOL, not Poetry Thursday, Hispanic Heritage Month edition

 Nó, Actually, Soy Salvadoreño
~Javier Zamora

“EL Sal-va-doh-RE-AN Salva-doh-RAN, Salva-DOH-RÍ-an,”
los mui-muis, we don’t even know what
to call ourselves. How to eat
a pupusa: ¿fork & knife? or
¿open it up & treat it like a taco? but
then, we’re betraying our nationalistic (read:
anti-black, anti-indigenous) impulse
to not mix with anyone else. ¿& what’s
with jalapeños in the curtido,
cipotes? ¿With using spicy “salsa”
instead of salsa de tomate? There’s too many
“restaurantes,” one side of the menu: Mexican,
the other, platos típicos. Typically
I want to order the ensalada, but then
they bring me an actual salad.
I say: cóman miercoles, they
want to charge me extra for harina de arroz. Extra
por los nueagados. There’s
nowhere I’d rather be most
than in Abuelita’s kitchen, watching her
throw bay leaves, tomatoes, garlic, orégano
into the blender, then chicharrón,
helping her sell to everyone that knows
she made the best pupusas
from 1985 to 2004. By then,
Salvadoreños became “Hermanos Lejanos,”
we traded Colón for Washingtón. By then,
Los Hermanos Flores looked for new singers
every time they returned from Los Yunaited
to San Salvador. Stay, no se vayan,
es-tei, no sean dundos, was all
those Salvadoreños could say.
We didn’t listen & came here
only to be called Mexican or Puerto Rican,
depending on the coast. We had to fight
for our better horchata, not
the lazy whiter one with only rice. & when
we didn’t want to fight
we tried to blend, speak more “Mexican,”
more ira, more popote, more
no pos guao. ¡Nó, majes!
¡No se me hagan dundos,
ponganse trucha vos!
When anyone wants to call you: Mexican.
You can just say: Nó,
actually, andáte a la M—
racista cara de nacionalista.


Copyright © 2020 by Javier Zamora. Originally published in Poem-a-Day on October 9, 2020 by the Academy of American Poets.

Thursday, October 08, 2020

Poetry Thursday, Hispanic Heritage Month, on borders and maps and geography...

Maps
 ~Yesenia Montilla
For Marcelo

Some maps have blue borders
like the blue of your name
or the tributary lacing of
veins running through your
father’s hands. & how the last
time I saw you, you held
me for so long I saw whole
lifetimes flooding by me
small tentacles reaching
for both our faces. I wish
maps would be without
borders & that we belonged
to no one & to everyone
at once, what a world that
would be. Or not a world
maybe we would call it
something more intrinsic
like forgiving or something
simplistic like river or dirt.
& if I were to see you
tomorrow & everyone you
came from had disappeared
I would weep with you & drown
out any black lines that this
earth allowed us to give it—
because what is a map but
a useless prison? We are all
so lost & no naming of blank
spaces can save us. & what
is a map but the delusion of
safety? The line drawn is always
in the sand & folds on itself
before we’re done making it.
& that line, there, south of
el rio, how it dares to cover
up the bodies, as though we
would forget who died there
& for what? As if we could
forget that if you spin a globe
& stop it with your finger
you’ll land it on top of someone
living, someone who was not
expecting to be crushed by thirst—

Copyright © 2017 Yesenia Montilla. Used with permission of the author.

Thursday, October 01, 2020

Poetry Thursday, Hispanic Heritage Month

This Moment / Right Now
 ~Roberto Carlos Garcia
                                 for Monica Hand

there’s a whispered prayer blowing
the crumbs of a season’s harvest
                 off a girl’s plate

& a roar breaks from her insides,
the roar a lioness
                 a beast that knows

& a man kneels somewhere
cupping his tears
                 for the loneliness he feels

though he’s surrounded by the world,
& a finch in a tree singing
                 for a lover as the buds on its branch

pop into leaves that will flourish
& welcome the green grasses,
                 Right now    a boy is wondering

if people can really dodge bullets
& is he one of them & somewhere nobody bothers
                 to ask, they simply wait

Wind spins across the landscape
they say God is twirling his fingers—

The heartbroken hook new bodies,
night after night, drink after drink

& I dance—my feet mashing grapes
for wine & I sing mockingly—
                 what is life / what is life

Copyright © 2017 Roberto Carlos Garcia. Used with permission of the author.

Thursday, September 24, 2020

Saying Goodbye

 I started this post a million years ago.

Ok, not a million years, but a long time ago, probably May.

And I kept looking at it sitting there in the draft folder. Taunting me.

I feel like grief is all around me. All the time. Like a pack of wolves hunting down my soul.

I should try to readjust my attitude about grief. I SHOULD not be afraid of it. I should welcome it into my house and ask it if it wants to stay a while. But I don't have my own house, that's another story for another time, so, yeah, no visitors.

As a result of this game of chicken I have with grief, it roars into my life sometimes like a motorcycle gang disrupting my pretending that every thing is alright.

Last week was the week leading up to the anniversary of my brother's death. 8 years. 

EIGHT YEARS?! How does that even happen?

And I was shoveling food and stomping around until I realized the 19th was just around the corner.

UGH.

Knowing it was going to be a rough one no matter what I did, I tried to plan a quiet weekend with lots of walking by myself.

It would have worked, too, if the stars had not aligned to take RBG from our world on the 18th.

I am trying REALLY hard, after days of sulking, to think FIRST of the tremendous gift it was to have her in our world for so long. But, I fail, often, and slink back into the terrible hole her loss has created in our world. 

Saying goodbye is hard - and this has been a rough year for everyone - and I am only human.

I started this draft (a million years ago) because I THOUGHT, maybe this is the year that grief won't be so hard. 

I was wrong, or grief is horrible, or 2020 sucks. Or all of that is true.

I am going to have a weekend away - and I haven't had any time to worry about the ramifications of interacting with people (masked, of course) because I have been all wrapped up in this grief. So, maybe not having time to be anxious is a silver lining?

I am trying, I swear.

Poetry Thursday, Hispanic Heritage Month

the independence (of puerto rico)
 ~Raquel Salas Rivera
English translation from Spanish

we are fiercer than melted snow;
we are bigger than storage cemeteries;
we are more rabid than mired winds;
we are immenser than rivers in sea;
we are wider than wasted tyrannies;
we are more tender than roots with earth;
we are more tender than rain in moss;
we are more tender than downpour’s tremor;
we are stronger than overworked years;
we are braver than stalking anguish;
we are more beautiful than universal monarchies;
we are more jevos than the dreamt good life;
we are richer than stolen ports;
we are more pirates than federal governments;
we are more justice-seeking than armed gods;
we are more more than the minimum
and more more than the most.
we are insularly sufficient.

we owe no one shame.

we owe no one smallness.

they tell us for a whole centuried
and quintuplentaried life that we are
the smallest of the upper,
that we are much of the less
and too little of the more,
but we are more than what they say,
more than what they imagine
and more than, to this day,
we have imagined.

we are home libraries
gathered in a data strike
that miss their bowels
of historied flesh.

we are a latitude of tied belts,
serpents who shed their punishing skins,
make a tape to measure the globe
and know if the world can
expand by opening chests.

we are that calculation that traces today
and hits rock bottom.

we are the fortaleza without spaniards,
the rib cage that expires the old empire
where before they housed crusades.

we are fatal, meaning,
the death of trenches
and the governments that induce them.

we are high-and-mighty on the coast
and humble in the mountains.
we gather coffee and plant it
in the buildings we build,
the children we raise,
and the exponential applications
we complete.

and in all things we are independent,
even in the most colonized hole of our porous fear;
even in the panadería most packed with papers that cover ads;
even in the corrosive act of saying we are only an island;
even that we have done looking each other in the face,
gathering cement blocks,
arming the neighbor’s storage rooms;
even from afar, it has been us
who has gone to the post office
and sent cans and batteries.

don’t fear what you already know.
we’ve spent a lifetime fearing ourselves
while getting robbed by strangers.
look at us. look closely.
don’t you see we are
beauty?


la independencia (de puerto rico)

somos más fieros que la nieve derretida;
somos más grandes que un cementerio de vagones;
somos más rabiosos que los vientos atascados;
somos más inmensos que los ríos en el mar;
somos más amplios que las tiranías gastadas;
somos más tiernos que las raíces con la tierra;
somos más tiernos que la lluvia en el musgo;
somos más tiernos que el temblor del aguacero;
somos más fuertes que los años fajones;
somos más bravos que la angustia acosadora;
somos más bellos que las monarquías universales;
somos más jevos que la buena vida soñada;
somos más ricos que los puertos robados;
somos más piratas que los gobiernos federales;
somos más justicieros que los dioses armados;
somos más más que lo más mínimo
y más más que lo más mejor.
somos insularmente suficientes.

no le debemos a nadie la vergüenza.

no le debemos a nadie la pequeñez.

nos dicen por toda una vida siglada
y quintuplegada que somos
el menor de las mayores,
que somos mucho de lo menos
y muy poco de lo más,
pero somos más que lo que dicen,
más de lo que se imaginan
y más de lo que hasta hoy
nos hemos imaginado.

somos las bibliotecas de las casas
juntadas en una huelga de datos
que añoran sus entrañas
de carne historiada.

somos una latitud de correas atadas,
sierpes que mudaron su piel de castigo
por una cinta de medir el globo
para saber si el mundo puede
expandirse abriendo pechos.

somos ese cálculo que traza hoy
y toca fondo.

somos la fortaleza sin españoles,
la caja torácica que expira el viejo imperio
donde antes se almacenaban cruzadas.

somos fatales, es decir,
la muerte de las trincheras
y los gobiernos que las inducen.

somos altaneros en la costa
y humildes en la cordillera.
recogemos café y lo sembramos
en los edificios que construimos,
los niños que cuidamos,
las solicitudes exponenciales
que completamos.

y en todo somos independientes,
hasta en el hueco más colonizado del temor poroso;
hasta en la panadería más llena de periódicos de anuncios;
hasta en el acto corrosivo de decir que somos isla solamente;
hasta eso lo hemos hecho mirándonos las caras,
juntando los bloques de cemento,
armando los almacenes de los vecinos;
hasta en la lejanía, hemos sido nosotros,
nosotros los que llegamos al correo
y envíamos latas y baterías.

no temas lo que ya conoces.
llevamos una vida temiéndonos
mientras nos roban extraños.
míranos bien.
¿no ves que somos
hermosura?

Copyright © 2020 by Raquel Salas Rivera. Originally published in Poem-a-Day on January 13, 2020, by the Academy of American Poets.

Sunday, September 20, 2020

Not poetry Thursday, Hispanic Heritage Month, on pain and keeping it real

A Pain That Is Not Private
~Lara Mimosa Montes

There is a time and place in the world for abstraction. When my mother left Puerto Rico for the first time, the year was 1968. Against my unknowing. We hesitate to say what intimacy is and whether or not we have it. I keep trying / to teach my students that / stream-of-consciousness is / this, not that / this / activity fails. We know it does because each of us leaves the room / feeling like barbed wire— snarling behind the barricade (because) at some point, we stopped feeling (like language could say). So we went without while some others embraced. Notice (after the emptiness) : a pain that is not private. In other words, focus not on the object, but rather, the light that bounces off of that object. Perforated. Estranged. Esa luz. Tómatela. Under that light° I felt my body try / to hold on (to the knot inside) your right hand; when did it become a fist? Remind me what it is again / what it is that you wish / to share (with others) >> when you’re on stage…

                                        °That light, this pain (what never translates).

Copyright © 2018 Lara Mimosa Montes. Used with permission of the author.

Saturday, September 19, 2020

Not Poetry Thursday, for Greg

Hummingbird
 ~Robin Becker

I love the whir of the creature come
to visit the pink
flowers in the hanging basket as she does

most August mornings, hours away
from starvation to store
enough energy to survive overnight.

The Aztecs saw the refraction
of incident light on wings
as resurrection of fallen warriors.

In autumn, when daylight decreases
they double their body weight to survive
the flight across the Gulf of Mexico.

On next-to-nothing my mother
flew for 85 years; after her death
she hovered, a bird of bones and air.

Copyright © 2017 Robin Becker. Used with permission of the author.

Friday, September 18, 2020

Not poetry Thursday, Hispanic Heritage Month on persistence

Instructions on Not Giving Up
~Ada Limón

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.


Copyright © 2017 Ada Limón. Used with permission of the author.

Thursday, September 17, 2020

Grief and Healing during Hispanic Heritage Month, Poetry Thursday

Heal the Cracks in the Bell of the World
 ~Martín Espada
                    For the community of Newtown, Connecticut,
                    where twenty students and six educators lost their
                    lives to a gunman at Sandy Hook Elementary School,
                    December 14, 2012

Now the bells speak with their tongues of bronze.
Now the bells open their mouths of bronze to say:
Listen to the bells a world away. Listen to the bell in the ruins
of a city where children gathered copper shells like beach glass,
and the copper boiled in the foundry, and the bell born
in the foundry says: I was born of bullets, but now I sing
of a world where bullets melt into bells. Listen to the bell
in a city where cannons from the armies of the Great War
sank into molten metal bubbling like a vat of chocolate,
and the many mouths that once spoke the tongue of smoke
form the one mouth of a bell that says: I was born of cannons,
but now I sing of a world where cannons melt into bells.

Listen to the bells in a town with a flagpole on Main Street,
a rooster weathervane keeping watch atop the Meeting House,
the congregation gathering to sing in times of great silence.
Here the bells rock their heads of bronze as if to say:
Melt the bullets into bells, melt the bullets into bells.
Here the bells raise their heavy heads as if to say:
Melt the cannons into bells, melt the cannons into bells.
Here the bells sing of a world where weapons crumble deep
in the earth, and no one remembers where they were buried.
Now the bells pass the word at midnight in the ancient language
of bronze, from bell to bell, like ships smuggling news of liberation
from island to island, the song rippling through the clouds.

Now the bells chime like the muscle beating in every chest,
heal the cracks in the bell of every face listening to the bells.
The chimes heal the cracks in the bell of the moon.
The chimes heal the cracks in the bell of the world.

From Bullets Into Bells: Poets and Citizens Respond to Gun Violence (Beacon Press, 2017). Copyright © 2017 by Martín Espada. Used with permission of the author and Beacon Press.

Friday, September 11, 2020

Not Poetry Thursday, surviving among the flames

 In the Middle of the Burning
~Canisia Lubrin
notice now pictures of awful things on top our head
the freight that barricades this view, how enough
how the law batter down the dogged tide we make
the world shoring its dark scars between seasons
as though to hold it together only by a flame
is here a voice to please enough the blunt
borderlessness of this grief turning our heads to rubble
the lunacy of nothing so limning as death in the streets
in these vibrating hours where the corners talk back
need I simply run my tongue along the granite sky and live

to know how lost the millionth life somewhere today
the swift shape of roads new names combust, the sum
of anthems flooding the world with the eye’s sudden and narrow
saltwater and streets ziplined with screams at the pitch of cooking pots
then tear gas, then pepper spray, then militarized lies unzipping
body bags, oh, our many many there, our alive and just born,
and that is how to say let’s fuck it up, we the beat and we the loud
tuning forks and the help arriving empty-handed
propping the hot news of new times on our head

days like these pleat whatever the hollow year must offer
between the not-yet-dead and those just waking up
it will not be the vanished thing that we remember
it will be what we exchanged close to midnight
like smugglers high-wiring the city, hoarding the thoughts
of ours we interrupted midway to discovering the velocity
of the burning world below
of our language in the lateness of our stuck and reckless love

where the forces who claim they love us
level our lives to crust—the centuries-wide dance
of swapped shackles for knees
their batons and miscellany
thrown at our whole lives demanding our mothers
raise from their separate rooms, separate graves, today
to save who and me? I open the book to a naked page
where nothing clatter my heart, what head
what teeth cling to broadside, roll alias after
alias with a pen at their dull tribunes and shrines
imagine our heirlooms of shot nerves make a life
given to placards and synergies and elegies, but more

last things: where letters here where snow in May
where the millennium unstitches the quartered earth
in June, how many today to the viral fire
the frosted rich and their forts, but not
the fulsome rage of my people unpeaced
mute boots with somber looks appear
a fearsome autumn ending spring, though we still hear

I dare not sing

another song to dig a hole this time for the lineages
of magnolias where the offspring bring a hand to cover
our mouth, our heaping lives, who sit who burn who drop
three feet to the tar, who eat and demolish the thing
that takes our head, the thing that is no more
the place that never was except a burning learned

just once and not again when the darker working’s race

Copyright © 2020 by Canisia Lubrin. Originally published in Poem-a-Day on September 3, 2020, by the Academy of American Poets.

Thursday, September 10, 2020

Poetry Thursday pre-Hispanic Heritage Month #HHM

December Morning in the Desert
 ~Alberto Ríos

The morning is clouded and the birds are hunched,
More cold than hungry, more numb than loud,

This crisp, Arizona shore, where desert meets
The coming edge of the winter world.

It is a cold news in stark announcement,
The myriad stars making bright the black,

As if the sky itself had been snowed upon.
But the stars—all those stars,

Where does the sure noise of their hard work go?
These plugs sparking the motor of an otherwise quiet sky,

Their flickering work everywhere in a white vastness:
We should hear the stars as a great roar

Gathered from the moving of their billion parts, this great
Hot rod skid of the Milky Way across the asphalt night,

The assembled, moving glints and far-floating embers
Risen from the hearth-fires of so many other worlds.

Where does the noise of it all go
If not into the ears, then hearts of the birds all around us,

Their hearts beating so fast and their equally fast
Wings and high songs,

And the bees, too, with their lumbering hum,
And the wasps and moths, the bats, and the dragonflies—

None of them sure if any of this is going to work,
This universe—we humans oblivious,

Drinking coffee, not quite awake, calm and moving
Into the slippers of our Monday mornings,

Shivering because, we think,
It’s a little cold out there.

Copyright © 2019 by Alberto Ríos. Originally published in Poem-a-Day on December 2, 2019, by the Academy of American Poets.

Wednesday, September 09, 2020

Not Poetry Thursday - extra poetry love for September be nicer to us...

 Again it is September
~Jessie Redmon Fauset
   Again it is September! 
It seems so strange that I who made no vows
Should sit here desolate this golden weather 
And wistfully remember—
    A sigh of deepest yearning, 
A glowing look and words that knew no bounds, 
A swift response, an instant glad surrender
To kisses wild and burning! 
   Ay me! 
   Again it is September! 
It seems so strange that I who kept those vows 
Should sit here lone, and spent, and mutely praying 
That I may not remember! 

This poem is in the public domain. Published in Poem-a-Day on September 5, 2020, by the Academy of American Poets.

Thursday, September 03, 2020

Poetry Thursday, on perspective and supposed clarity it brings

From “Perspective is Supposed to Yield Clarity”

~Dawn Lundy Martin


She said, I wish I prayed, I would pray for you. And,

we all wanted a shape of prayer in our brains, taking over

instead of it chomping on itself. Stupid little elf. God has

never come to me. We surrender in the teeming utterance

of materials soaked with sentences already made in air

and by machines. The country says Freedom, crushed under

its own dream weight. I did not make up this song. Design

Within Reach is having a “Work from home sale.” The coming

apart, the giant laceration across the sky, we all feel it. Look

at the fire, look at it, like all the rage of all the smallest beings.


Copyright © 2020 by Dawn Lundy Martin. Originally published in Poem-a-Day on August 6, 2020, by the Academy of American Poets.

Thursday, August 27, 2020

Poetry Thursday, free

 fleeing

~Kara Jackson

everything i do comes down to the fact that i’ve been here before.

in some arrangement of my atoms i was allowed to be free

so don’t ask me when freedom is coming

when a certain eye of mine has seen it,

a cornea in a convoluted future recalls my freedom.

when asked about the absence of freedom, the lack of it

i laugh at the word absence, which always suggests

a presence that has left. but absence is the arena

of death, and we call the dead free (went on to glory), what

is the absence of freedom but an assumption of it?

i have never longed for something

which was not once mine. even fiction is my possession,

and flight is an act of fleeing as much as an act of flying.


Copyright © 2020 by Kara Jackson. Originally published in Poem-a-Day on August 3, 2020, by the Academy of American Poets.

Thursday, August 20, 2020

Poetry Thursday, owning our past and meaning your words

 You Still Dream

~Nikki Grimes


Here, poem meets prayer.

We are exceedingly comfortable

with posturing and self-defense

that masquerade as apology.

But what’s needed in this moment

is unmixed confession

of our nation’s sin,

deep and indefensible.

“Now I lay me down to sleep”

must make way for

something more muscular:

sack cloth and ashes,

prayer and fasting,

naked prostration.

Daniel understood

radical repentance begins

with this unvarnished profession:

You are righteous,

and we are not.

Please heal our nation.

Cleanse our stubborn hearts.

Show each of us what part to play.

Broken as Judah and Jerusalem,

we cry and come bending our will

toward the good

you dream for us still,

no matter our sin,

no matter what skin

we’re in.


Copyright © 2020 by Nikki Grimes. Originally published in Poem-a-Day on August 7, 2020, by the Academy of American Poets.

Thursday, August 13, 2020

Poetry Thursday, respite from our world

I Saw You
~Joshua Henry Jones, Jr.

I saw you as I passed last night,
    Framed in a sky of gold;
And through the sun’s fast paling light
    You seemed a queen of old,
Whose smile was light to all the world
    Against the crowding dark.
And in my soul a song there purled—
    Re-echoed by the lark.

I saw you as I passed last night,
    Your tresses burnished gold,
While in your eyes a happy bright
    Gleam of your friendship told.
And I went singing on my way;
    On, on into the dark.
But in my heart still shone the day,
    And still—still sang the lark.

This poem is in the public domain. Published in Poem-a-Day on July 25, 2020, by the Academy of American Poets.

Thursday, August 06, 2020

Poetry Thursday, in honor of some of my AUG bday faves, HOPE

Hope.
~Alice Dunbar-Nelson

Wild seas of tossing, writhing waves,
A wreck half-sinking in the tortuous gloom;
One man clings desperately, while Boreas raves,
     And helps to blot the rays of moon and star,
     Then comes a sudden flash of light, which gleams on shores afar.

This poem is in the public domain. Published in Poem-a-Day on July 19, 2020, by the Academy of American Poets.

Friday, July 31, 2020

This, too, is grief

When you lose someone you love, you expect grief. 

Ok, maybe you don't have a full grasp of how grief will be like a tidal wave until it isn't - and sometimes still because it cuts you at your knees or sucker punches you in the gut when you least expect it.

But grief as desperately wrenching as it is in its rawest form - that deep hole in your heart, is not only sadness and anguish.

Of course, everyone has heard of the stages of grief, which by the way were meant to describe a patient coming to terms with her/his own death not that of those bereaved. There is anger. There is denial. All of that along side, in between and at disparate times with the sadness and anguish.

I cannot speak to acceptance - unless you are talking about finally agreeing that your loved one is, indeed, dead - as in not coming back. Maybe. But I think lots of people forestall denial by assuming that they will be reunited at some point in the future or the after world. As I do not hold on to that hope, my denial did have to come to an end - but it lasted a good, long time - when I still saw my sister from the corner of my eye, driving by, escaping death even if it meant abandoning us as well.

But grief is also the aftermath.

This is the part that I don't think people talk about.

It has been a horrible place for me - and I imagine that it is for others as well.

Your life is reconfigured. You are told about the new normal when people can be honest about the fact that it does not get better, just different.

But I was wholly unprepared for the devastation that has been the aftermath in my family.

It's not like a war torn landscape with craters were there used to be houses. That seems so bleak and drastic ... but, sometimes, it really does feel that way.


Thursday, July 30, 2020

Poetry Thursday, bucking up

Go Give the World
~Otto Leland Bohanan

I do not crave to have thee mine alone, dear
   Keeping thy charms within my jealous sight;
Go, give the world the blessing of thy beauty,
   That other hearts may share of my delight!

I do not ask, thy love should be mine only
   While others falter through the dreary night;
Go, kiss the tears from some wayfarer’s vision, 
   That other eyes may know the joy of light!

Where days are sad and skies are hung with darkness, 
   Go, send a smile that sunshine may be rife;
Go, give a song, a word of kindly greeting, 
   To ease the sorrow of some lonely life!

This poem is in the public domain. Published in Poem-a-Day on July 12, 2020 by the Academy of American Poets.
 

Thursday, July 23, 2020

Poetry Thursday, for our times...

Untethered
~Allison Joseph

what anger in defiance
what sympathy in doubt
emotions steady try us
demanding every shout

what sympathy in doubt
what pleasure in our pain
demanding are our shouts
such hazardous terrain

what pleasure in our pain
mere thinness to our skin
such hazardous terrain
such unrelenting din

sheer thinness of our skin
the ruptures and the breaks
such unrelenting din
mistake after mistake

we rupture and we break
we stagger and we shine
mistake after mistake
inhabiting our minds

we stagger and we shine
we live our lives on spin
inhabiting our minds
and undermining limbs

we live our lives on spin
and thrive until we grieve
we undermine our limbs
then get the strength to leave

we thrive until we grieve
emotions steady try us
we get the strength. we leave.
what anger in defiance.

Copyright © 2020 by Allison Joseph. Originally published in Poem-a-Day on July 13, 2020 by the Academy of American Poets

Wednesday, July 22, 2020

Sometimes Daily Poetry hits home... one more for you

When Puffy says, and we won’t stop, ‘cause we can’t stop.
~Rasheed Copeland

I think of a good night’s sleep
an exhale taking its precious time

to leave my lungs         unworried
about the breathing to come        If only

I did not hail from the sweet state
of panic                                the town’s river,

my adrenaline raging without cease
I’d love peace but the moon is pulling me by my water

I know this is no way to live    but I was born here
a mobile of vultures orbiting above my crib

the noise you speak      bragging
about the luxury of your stillness

reminds me that some children are told to pick flowers
while others are told to pick a tree switch

that’ll best write a lesson across their hide
and my skin is a master course written in welts

I touch myself and read about the years
I cannot escape                              I hold my kids

and pray our embrace is not a history
repeating itself

Copyright © 2020 by Rasheed Copeland. Originally published in Poem-a-Day on July 22, 2020, by the Academy of American Poets.

Friday, July 17, 2020

Not Poetry Thursday but we need some, so here you go

The Optimist
~J. W. Hammond

Who would have the sky any color but blue,
     Or the grass any color but green?
Or the flowers that bloom the summer through
     Of other color or sheen?

How the sunshine gladdens the human heart—
     How the sound of the falling rain
Will cause the tender tears to start,
     And free the soul from pain.

Oh, this old world is a great old place!
     And I love each season’s change,
The river, the brook of purling grace,
     The valley, the mountain range.

And when I am called to quit this life,
     My feet will not spurn the sod,
Though I leave this world with its beauty rife,—
     There’s a glorious one with God!

This poem is in the public domain. Published in Poem-a-Day on July 11, 2020 by the Academy of American Poets.

Thursday, July 16, 2020

Poetry Thursday

Peacock Feather
~Effie Lee Newsome
 
Heav’n’s deepest blue,
Earth’s richest green,
Minted dust of stars,
Molten sunset sheen,
Are blent together
On this lithe brown feather,
In a disc of light—
Lithe, light!

This poem is in the public domain. Published in Poem-a-Day on June 21, 2020 by the Academy of American Poets.

Thursday, July 09, 2020

Poetry Thursday, with a little history lesson

Governor’s Mansion Hands
~Sean Hill
                              —Milledgeville, Georgia 1858 (note 1)

The hand(note 2) in which the laws of the land(note 3)
were penned was that of a white man.

Hand, servant, same as bondsman, slave,
and necessarily a negro(note 4) in this context,
but not all blacks were held in bondage
though bound by the constructed fetters
of race—that expedient economic tool
for making a class of women and men
kept in place based on the color writ
across their faces—a conservative notion
for keeping power in the hands of the few(note 5).
It kept the threat held over the heads of all
negroes, including those free blacks,
who after the coming war would be
called the formerly free people of color
once we were all ostensibly free.

Hands, enslaved, handled clay
and molds in the making of bricks
to build this big house for the gathering
of those few men with their white faces
who hold power like the end of the rope.

Hand, what’s needed to wed, and a ring
or broom. Hand, a horse measure, handy
in horse-trading(note 6). We also call the pointers
on the clock that go around marking time
in this occidental fashion, handy for business
transactions, hands.

Notes
1 Milledgeville, my hometown, touts itself as the Antebellum Capital and it was that, but it was also, for the duration of the Civil War, the Confederate Capital of Georgia, and where Joseph Emerson Brown, the governor of Georgia from November 6, 1857 till June 17, 1865, lived with his family in the Governor’s Mansion. Governors brought enslaved folks, folks they held as property, from their plantations to work as the household staff at the Governor’s Mansion.

2 Hand as in handwriting, which is awful
in my case, so I type, but way back when,
actually, only 150 years ago—two long-lived
lives—by law few like me had a hand.

3 What’s needed is a note on the laws that constructed race in the colonies and young states, but that deserves a library’s worth of writing.

4 Almost a decade after reading the typescript of a letter written by Elizabeth Grisham Brown, Gov. Joseph Emerson Brown’s wife, I finally got to read the original letter written in her hand; I got to touch it with my hand. I got to verify that she’d written what I’d read in the typescript. I’d thought about this letter she wrote home to her mother and sister at their plantation for near a decade because of its closing sentences: “Hoping you are all well, we will expect to hear from you shortly. Mr. Brown and the children join me in love to you all.” And caught between that and her signing “Yours most affectionately, E. Brown” she writes “The negroes send love to their friends.” Those words in that letter struck me when I first read them and have stuck with me since. There is so much there that speaks to the situation those Black folk were in then and the situation Black folk are in now. I intend for the title of my next book to be The Negroes Send Love to Their Friends.

5 And this arrangement also served the rest
who would walk on the white side of the color
line, so they would readily step at the behest
of that narrative of race and their investment
in what is white and Black.

6 Prospective buyers would inspect Negroes like horses or other livestock and look in their mouths.

Copyright © 2020 by Sean Hill. Originally published in Poem-a-Day on July 9, 2020 by the Academy of American Poets.

Thursday, July 02, 2020

Poetry Thursday, life right now for a lot of people

Every Verb is a Lesson in Longing or Dread
~April Freely

Dear Reader, it wouldn’t be a lie if you said poetry was a cover
for my powerlessness, here, on this plane
having ticked off another day waiting for her diagnosis to rise.
As the air pressure picks up, I feel the straight road
curved by darkness, where the curve is a human limit,
where the second verb is mean, the second verb is to blind.
On the other line, my mother sits on her bed
after a terrible infection. Her voice like a wave
breaking through the receiver, when she tells me
that unlike her I revel in the inconclusivity of the body.
+
At the end of the line, I know my mother
accumulates organ-shaped pillows after surgery.
First a heart, then lungs.
The lung pillow is a fleshy-pink. The heart
pillow, a child-drawn metaphor. Both help her expectorate
the costs to the softer places of her body.
After each procedure they make her cross,
the weight of the arm comes down. These souvenirs
of miraculous stuffing other patients on the transplant floor covet,
the way one might long for a paper sack doll made by hand.
Though the stuffing is just wood shavings, one lies
with the doll tight at the crick of an elbow at night.

Copyright © 2020 by April Freely. Originally published in Poem-a-Day on June 29, 2020 by the Academy of American Poets.

Thursday, June 25, 2020

Poetry Thursday

Contemplating Extinction as Theme in Basquiat’s “Pez Dispenser, 1984”
~Kristina Kay Robinson

for Malcolm Latiff Shabazz

yellow roses in my mother’s room   mean
I’m sorry   sadness comes in       generations
inheritance           split   flayed    displayed
better than all the others

crown                                        weight

the undue burden of the truly exceptional
most special of your kind, a kind of fire

persisting unafraid      saffron bloom
to remind us of fragility   or beauty       or revolution

to ponder darkly              in the bright
the fate of young kings

the crimes for which          there are no apologies.

Copyright © 2020 by Kristina Kay Robinson. Originally published in Poem-a-Day on June 23, 2020 by the Academy of American Poets.

Monday, June 22, 2020

Not Poetry Thursday, on memory and trauma

We Drink at the Attenuation Well
~Porsha Olayiwola

Motivated forgetting is a psychological defense mechanism whereby people cope with threatening and unwanted memories by suppressing them from consciousness.
            —Amy N. Dalton and Li Huang

              in Badagry there is a hung-
              ry well of water and memory

 

                                                         loss. in Badagry there was a well 
                                                         of people lost across a haven 

 

of water. in Badagry there was
a port overwhelmed in un-return. 

 

                                         to omit within the mind is to ebb
                                         heavenward. memory is a wealth 

 

                                                                 choking the brain in un-respons-
                                                                 ibility. violence in the mind and 

 

                                         the mind forgets in order to remember
                                         the self before the violence begot. 


in Badagry trauma washes ungod-
ly memory heavenward. in Bad-

 

                                       agry there is an attenuation well 
                                       meant to wish away a passage, 

 

                                                                      meant to unhaven a people.
                                                                      violence is underwhelming

 

                                       in return. what the body eats, 
                                       the mind waters. responsible 

 

is the memory for un-remittal. 
royal is the body for return. god is

 

                                                 the mind for wafting. forgetting 
                                                 is a port homeward. in Bad- 

 

                                                            agry hungry memory grows angry.
                                                            in Badagry the memories un- 

 

                 choke. trauma un-eats the royal. 
                 in Badagry there is a heaven 

 

                                                               of people responsible for the birth- 
                                                               right of remembering, for the well 

 

                                              of us across a haven of water
                                              overwhelmed in un-return.

Copyright © 2020 by Porsha Olayiwola. Originally published in Poem-a-Day on June 17, 2020 by the Academy of American Poets.

Thursday, June 18, 2020

Poetry Thursday - today and timely

I Can’t Breathe

I suppose I should place them under separate files
Both died from different circumstances kind of, one from HIV AIDS
         and possibly not
having
taken his medicines
the other from COVID-19 coupled with
complications from an underlying HIV status
In each case their deaths may have been preventable if one had
         taken his meds and the
hospital thought to treat the other
instead of sending him home saying, He wasn’t sick enough
he died a few days later
They were both mountains of men
dark black beautiful gay men
both more than six feet tall fierce and way ahead of their time
One’s drag persona was Wonder Woman and the other started
         a black fashion magazine
He also liked poetry
They both knew each other from the same club scene we all grew up in
When I was working the door at a club one frequented
He would always say to me haven’t they figured out you’re a star yet
And years ago bartending with the other when I complained
         about certain people and
treatment he said sounds like it’s time for you to clean house
Both I know were proud of me the poet star stayed true to my roots
I guess what stands out to me is that they both were
gay black mountains of men
Cut down
Felled too early
And it makes me think the biggest and blackest are almost
         always more vulnerable
My white friend speculates why the doctors sent one home
If he had enough antibodies
Didn't they know his HIV status
She approaches it rationally
removed from race as if there were any rationale for sending him home
Still she credits the doctors for thinking it through
But I speculate they saw a big black man before them
Maybe they couldn’t imagine him weak
Maybe because of his size color class they imagined him strong
said he’s okay
Which happened to me so many times
Once when I’d been hospitalized at the same time as a white girl
she had pig-tails
we had the same thing but I saw how tenderly they treated her
Or knowing so many times in the medical system I would never have been
         treated so
terribly if I
had had a man with me
Or if I were white and entitled enough to sue
Both deaths could have been prevented both were almost first to fall in this
         season of
death
But it reminds me of what I said after Eric Garner a large black man was
         strangled to
death over
some cigarettes
Six cops took him down
His famous lines were I can’t breathe
so if we are always the threat
To whom or where do we turn for protection?

Copyright © 2020 by Pamela Sneed. Originally published in Poem-a-Day on June 18, 2020 by the Academy of American Poets.

Thursday, June 11, 2020

Poetry Thursday - late ... sorry...

We are Marching
~Carrie Law Morgan Figgs
  
                   1.
We are marching, truly marching 
   Can’t you hear the sound of feet? 
We are fearing no impediment 
   We have never known defeat. 

                     2. 
Like Job of old we have had patience, 
  Like Joshua, dangerous roads we’ve trod 
Like Solomon we have built out temples. 
   Like Abraham we’ve had faith in God. 

                     3. 
Up the streets of wealth and commerce, 
   We are marching one by one
We are marching, making history, 
  For ourselves and those to come. 

                     4. 
We have planted schools and churches,
   We have answered duty’s call. 
We have marched from slavery’s cabin 
   To the legislative hall. 

                     5. 
Brethren can’t you catch the spirit? 
  You who are out just get in line
Because we are marching, yes we are marching 
   To the music of the time. 

                     6.
We are marching, steady marching 
   Bridging chasms, crossing streams 
Marching up the hill of progress 
  Realizing our fondest dreams. 

                       7. 
We are marching, truly marching 
   Can’t you hear the sound of feet? 
We are fearing no impediment
   We shall never know defeat. 

This poem is in the public domain. Originally published in 1921. Published in Poem-a-Day on February 1, 2020, by the Academy of American Poets.

These are unprecedented times and yet it is the same bs as ever. It is heartbreaking to know that Carrie Law Morgan Figgs was writing about marching and lack of fear and not knowing defeat in 1921... and here we are in 2020 still marching demanding justice and the ability to LIVE.  But I share it here, anyway, so we can recall the ancestors, their spirit and their fight, and the need to keep marching. 

Thursday, June 04, 2020

Poetry Thursday, late but timely

For Black Children at the End of the World—and the Beginning
~Roger Reeves

You are in the black car burning beneath the highway
And rising above it—not as smoke

But what causes it to rise. Hey, Black Child,
You are the fire at the end of your elders’

Weeping, fire against the blur of horse, hoof,
Stick, stone, several plagues including time.

Chrysalis hanging on the bough of this night
And the burning world: Burn, Baby, burn.

Anvil and iron be thy name, yea though ye may
Walk among the harnessed heat and huntsmen

Who bear their masters’ hunger for paradise
In your rabbit-death, in the beheading of your ghost.

You are the healing snake in the heather
Bursting forth from your humps of sleep.

In the morning, your tongue moves along the earth
Naming hawk sky; rabbit run; your tongue,

Poison to the filthy democracy, to the gold-
Domed capitols where the ‘Guard in their grub-

Worm-colored uniforms cling to the blades of grass—
Worm on the leaf, worm in the dust, worm,

Worm made of rust: sing it with me,
Dragon of Insurmountable Beauty.

Black Child, laugh at the men with their hoofs
and borrowed muscle, their long and short guns,

The worm of their faces, their casket ass-
Embling of the afternoon, leftover leaves

From last year’s autumn scraping across their boots;
Laugh, laugh at their assassins on the roofs

(For the time of the assassin is also the time of hysterical laughter).

Black Child, you are the walking-on-of-water
Without the need of an approving master.

You are in a beautiful language.

You are what lies beyond this kingdom
And the next and the next and fire. Fire, Black Child.

Copyright © 2020 by Roger Reeves. Originally published in Poem-a-Day on June 16, 2020 by the Academy of American Poets.

Friday, May 29, 2020

not Poetry Thursday, but #APHM POETRY!

Cloth Birds
~Dorothy Tse
Translated by Natascha Bruce

There’s no cloth hawker in the bazaar
willing to make dirty deals
with the health inspector
neither will they confess the link
between those bolts of flyaway fabric
and ancient birds
(lo a sage appeared
drilled fire from sticks
transformed the stinking food
and the people were happy)
after the ban on cooking smoke
glug glug swallow
the secret of seawater and its fish
tile cities built up and pulled down
at four in the afternoon
a routine inspection
into the cleanliness of laughter
a hand spread wide in the dark is
splattered with light
a carambola tree sprouts branches from stumps
its remaining fruits sour and shrivelled to stardust
swaying in the void
the sky so dull
and the city official
at the newly-sterilized entrance
frantically gouging
a spy hole onto the blankness

Copyright © 2019 Dorothy Tse and Natascha Bruce. Published in Poem-a-Day in partnership with Words Without Borders on September 7, 2019, by the Academy of American Poets.

Thursday, May 28, 2020

Poetry Thursday, Asian American History Month

Personal History
 ~Adrienne Su

The world’s largest Confederate monument
was too big to perceive on my earliest trips to the park.
Unlike my parents, I was not an immigrant

but learned, in speech and writing, to represent.
Picnicking at the foot and sometimes peak
of the world’s largest Confederate monument,

we raised our Cokes to the first Georgian president.
His daughter was nine like me, but Jimmy Carter,
unlike my father, was not an immigrant.

Teachers and tour guides stressed the achievement
of turning three vertical granite acres into art.
Since no one called it a Confederate monument,

it remained invisible, like outdated wallpaper meant
long ago to be stripped. Nothing at Stone Mountain Park
echoed my ancestry, but it’s normal for immigrants

not to see themselves in landmarks. On summer nights,
fireworks and laser shows obscured, with sparks,
the world’s largest Confederate monument.
Our story began when my parents arrived as immigrants.

Copyright © 2019 by Adrienne Su. Originally published in Poem-a-Day on December 4, 2019, by the Academy of American Poets.

Wednesday, May 27, 2020

not Poetry Thursday, but I got some POETRY #APHM

Self-Portrait as Semiramis
 ~Mary-Kim Arnold

Had I been raised by doves
wouldn’t I have learned
to fly

By wolves
to hunt in packs

Had I been raised by gods
wouldn’t I too
be godlike

In the movies the orphan
is the killer
not loved enough
unwanted

But wasn’t I
most
wanted

My mother
fish goddess
dove into the sea
for the sin of loving
a mortal man

I love a mortal man too

At night I coax him
from sleep
rousing him
with my mouth

By day
we build high brick walls
around us
                   our Babylon

Had my mother lived
to see me rise from this boundless
deep
            would she recognize me
as I have grown large
and my arms have become
the long arms of the sea
reaching over
                         and over
                                                 for the shore

Copyright © 2018 Mary-Kim Arnold. Used with permission of the author.

Tuesday, May 26, 2020

Recovered from DRAFTS ... more poetry for #APHM

The Gods of the Age
 ~Adeeba Shahid Talukder

When they first
glimpsed Creation, it was only
                        half-lit.

Half-lit,
as in, only half-clear—
that night, they discerned
                                      and imagined.

In the mind’s waters,
a blurring,                  a refraction.
There, we were brimming,
we were multitudes,

but they saw our darkness
and named us Dark.

Copyright © 2018 Adeeba Shahid Talukder. Used with permission of the author.

Monday, May 25, 2020

it's not Thursday, but I got POETRY #APHM

Jeju Island
 ~E. J. Koh

Everything in the beginning is the same.
Clouds let us look at the sun.

Words let us watch a man about to be killed.
The eye-hollows of his skull see home.

When they stone him,
he knows what a stone is—each word, a stone:

The hole of his nose
as dark as the door I pass through.

The hole of his nose as dark as the door
I pass through. Blowing bubbles,

I wander the halls numerously.
He’s no longer my grandfather in weight.

Among old bodies piled high, they aim.
Living can tranquilize you.

Copyright © 2018 E. J. Koh. Used with permission of the author.

Friday, May 22, 2020

May is feeling short, so many awesome poems for #APHM... enjoy

ojha : rituals
 ~Raena Shirali

Ojhas are [medicine men, “the ones next to God,” religious ministers or priests who deal with the daily struggles of the village people]; this dynamic allows the village ojha to control the circulation of rumors, and he is the village member who has the power to trap daayans (witches). In some trials, the ojha reads grains of rice, burn marks on branches, and disturbances in the sand around his residence, for signs of a daayan.


certain beliefs precede his name & yet
he goes by many : dewar, bhagat,

priest. passive ear, the kind

of listener you’d give
your own face.

+

first, the village must [agree
that spirits exist]—some benevolent,
some deserving of fear. everyone

wants their universe
to have reason. so it must be
a woman who stole your portion

of rice, woman who smeared
your doorstep’s rangoli, woman
who looked sideways at your child.

+

give him your gossip & the ojha conjures
herbs to [appease the evil] : her raving,
innocent mouth. & by that token
what is truth. the other rumors,

too, could corroborate—that bullets
pass through, his body barely
there but for the holy
in his hands.

+

he chants her name with fingers
pushed into his ears. just the sound
of her bangles
undoes : a single woman

on a plot of land, unbecoming.
he reads her guilt [in grains
of rice, in the light of a lamp,
using a cup which moves

and identifies]. makes a circle
around himself. white sand
between him &
the world. it’s the dead hour.

now, he shouts, arms covered
in ants, sing.

Copyright © 2019 Raena Shirali. Used with permission of the author.