in lieu of a poem, i’d like to say
~Danez Smith
apricots & brown teeth in browner mouths nashing dates & a clementine’s underflesh under yellow nail & dates like auntie heads & the first time someone dried mango there was god & grandma’s Sunday only song & how the plums are better as plums dammit & i was wrong & a June’s worth of moons & the kiss stain of the berries & lord the prunes & the miracle of other people’s lives & none of my business & our hands sticky and a good empty & please please pass the bowl around again & the question of dried or ripe & the sex of grapes & too many dates & us us us us & varied are the feast but so same the sound of love gorged & the women in the Y hijab a lily in the water & all of us who come from people who signed with x’s & yesterday made delicacy in the wrinkle of the fruit & at the end of my name begins the lot of us
Thursday, August 29, 2019
Thursday, August 22, 2019
Poetry Thursday, rescued from DRAFTS
I Don’t Know What Will Kill Us First: The Race War or What We’ve Done to the Earth
~Fatimah Asghar
so I count my hopes: the bumblebees
are making a comeback, one snug tight
in a purple flower I passed to get to you;
your favorite color is purple but Prince’s
was orange & we both find this hard to believe;
today the park is green, we take grass for granted
the leaves chuckle around us; behind
your head a butterfly rests on a tree; it’s been
there our whole conversation; by my old apartment
was a butterfly sanctuary where I would read
& two little girls would sit next to me; you caught
a butterfly once but didn’t know what to feed it
so you trapped it in a jar & gave it to a girl
you liked. I asked if it died. you say you like
to think it lived a long life. yes, it lived a long life.
it lived a long life.
~Fatimah Asghar
so I count my hopes: the bumblebees
are making a comeback, one snug tight
in a purple flower I passed to get to you;
your favorite color is purple but Prince’s
was orange & we both find this hard to believe;
today the park is green, we take grass for granted
the leaves chuckle around us; behind
your head a butterfly rests on a tree; it’s been
there our whole conversation; by my old apartment
was a butterfly sanctuary where I would read
& two little girls would sit next to me; you caught
a butterfly once but didn’t know what to feed it
so you trapped it in a jar & gave it to a girl
you liked. I asked if it died. you say you like
to think it lived a long life. yes, it lived a long life.
it lived a long life.
Thursday, August 15, 2019
Poetry Thursday, rescued from DRAFTS
Magpies Recognize Themselves in the Mirror
~Kelli Russell Agodon
The night sounds like a murder
of magpies and we’re replacing our cabinet knobs
because we can’t change the world, but we can
change our hardware. America breaks my heart
some days, and some days it breaks itself in two.
I watched a woman have a breakdown in the mall
today and when the security guard tried to help her
what I could see was all of us
peeking from her purse as she threw it
across the floor into Forever 21. And yes,
the walls felt like another way to hold us in
and when she finally stopped crying,
I heard her say to the fluorescent lighting, Some days
the sky is too bright. And like that we were her
flock in our black coats and white sweaters,
some of us reaching our wings to her
and some of us flying away.
~Kelli Russell Agodon
The night sounds like a murder
of magpies and we’re replacing our cabinet knobs
because we can’t change the world, but we can
change our hardware. America breaks my heart
some days, and some days it breaks itself in two.
I watched a woman have a breakdown in the mall
today and when the security guard tried to help her
what I could see was all of us
peeking from her purse as she threw it
across the floor into Forever 21. And yes,
the walls felt like another way to hold us in
and when she finally stopped crying,
I heard her say to the fluorescent lighting, Some days
the sky is too bright. And like that we were her
flock in our black coats and white sweaters,
some of us reaching our wings to her
and some of us flying away.
Thursday, August 08, 2019
Poetry Thursday, rescued from DRAFTS
The Rules
~Leila Chatti
There will be no stars—the poem has had enough of them. I think we
can agree
we no longer believe there is anyone in any poem who is just now
realizing
they are dead, so let’s stop talking about it. The skies of this poem
are teeming with winged things, and not a single innominate bird.
You’re welcome. Here, no monarchs, no moths, no cicadas doing
whatever
they do in the trees. If this poem is in summer, punctuating the blue—
forgive me,
I forgot, there is no blue in this poem—you’ll find the occasional
pelecinid wasp, proposals vaporized and exorbitant, angels looking
as they should. If winter, unsentimental sleet. This poem does not take
place
at dawn or dusk or noon or the witching hour or the crescendoing
moment
of our own remarkable birth, it is 2:53 in this poem, a Tuesday, and
everyone in it is still
at work. This poem has no children; it is trying
to be taken seriously. This poem has no shards, no kittens, no myths or
fairy tales,
no pomegranates or rainbows, no ex-boyfriends or manifest lovers,
no mothers—God,
no mothers—no God, about which the poem must admit
it’s relieved, there is no heart in this poem, no bodily secretions, no
body
referred to as the body, no one
dies or is dead in this poem, everyone in this poem is alive and pretty
okay with it. This poem will not use the word beautiful for it resists
calling a thing what it is. So what
if I’d like to tell you how I walked last night, glad, truly glad, for the
first time
in a year, to be breathing, in the cold dark, to see them. The stars, I
mean. Oh hell, before
something stops me—I nearly wept on the sidewalk at the sight of them
all.
~Leila Chatti
There will be no stars—the poem has had enough of them. I think we
can agree
we no longer believe there is anyone in any poem who is just now
realizing
they are dead, so let’s stop talking about it. The skies of this poem
are teeming with winged things, and not a single innominate bird.
You’re welcome. Here, no monarchs, no moths, no cicadas doing
whatever
they do in the trees. If this poem is in summer, punctuating the blue—
forgive me,
I forgot, there is no blue in this poem—you’ll find the occasional
pelecinid wasp, proposals vaporized and exorbitant, angels looking
as they should. If winter, unsentimental sleet. This poem does not take
place
at dawn or dusk or noon or the witching hour or the crescendoing
moment
of our own remarkable birth, it is 2:53 in this poem, a Tuesday, and
everyone in it is still
at work. This poem has no children; it is trying
to be taken seriously. This poem has no shards, no kittens, no myths or
fairy tales,
no pomegranates or rainbows, no ex-boyfriends or manifest lovers,
no mothers—God,
no mothers—no God, about which the poem must admit
it’s relieved, there is no heart in this poem, no bodily secretions, no
body
referred to as the body, no one
dies or is dead in this poem, everyone in this poem is alive and pretty
okay with it. This poem will not use the word beautiful for it resists
calling a thing what it is. So what
if I’d like to tell you how I walked last night, glad, truly glad, for the
first time
in a year, to be breathing, in the cold dark, to see them. The stars, I
mean. Oh hell, before
something stops me—I nearly wept on the sidewalk at the sight of them
all.
Thursday, August 01, 2019
Poetry Thursday, rescued from DRAFTS
Cling
~LaTasha N. Nevada Diggs
Child with continuing cling issue his No in final fire
-Gwendolyn Brooks
sapphires are lovely as the Star of Bombay revered by Child.
she embodies its six rays replacing spoiled limbs. with
heat she hopes to change her lack luster, halt the continuing
spectrum a cousin sapped from her. a vampire’s cling,
she remembers his as cornflower blue. a distracting issue
a lover is not guilty of. how does he know it’s a turn off? he
cannot enter her that way nor retire to any position. No
moment to gaze without recall. shadows cannot swing in
the amber light. she admires little if at all. a final
twinge when lover pinch upon entering Crayola blush fire.
~LaTasha N. Nevada Diggs
Child with continuing cling issue his No in final fire
-Gwendolyn Brooks
sapphires are lovely as the Star of Bombay revered by Child.
she embodies its six rays replacing spoiled limbs. with
heat she hopes to change her lack luster, halt the continuing
spectrum a cousin sapped from her. a vampire’s cling,
she remembers his as cornflower blue. a distracting issue
a lover is not guilty of. how does he know it’s a turn off? he
cannot enter her that way nor retire to any position. No
moment to gaze without recall. shadows cannot swing in
the amber light. she admires little if at all. a final
twinge when lover pinch upon entering Crayola blush fire.